

With flashpoints, we reach beyond already emerging media forms and devices. We focus on forces--social trends, new technologies, economic shifts--that have the potential to ignite and become the next moving edge of massive social change. In ExtremeMediaStudies.org, each flashpoint is a place where we share our earliest senses of raw forces that we don't even know how to talk about yet. So instead of talking about them, we use our sensibilities as media artists and designers to give some sort of creative expression to what our antennae or feelers are telling us, but which doesn't yet have words. And we invite you to do the same.

daily life
art
environment
consumer culture
business and economics
politics and power relations
technologies of media
We try to glimpse its presence in each of these spaces of living and we offer traces of its influence there.
Flashpoints, then, give sharable form to forces that we sense are gathering on the horizon. These forces (such as patterns of information flow, convergences of technologies, intensities of change, new desires and fears) are immaterial. Yet they are powerful. They shape the mediascapes that encompass us. They compose emerging contexts that media designers and users cannot ignore. With flashpoints, we make these invisible forces visible and offer them as inspiration for our own creative responses.
At the flashpoint, "what its next state will be turns entirely unpredictable. . . the system . . . is in ferment. It has gone 'critical'" (Massumi, Parables for the Virtual, 2002, pp. 109-110). At the flashpoint, all possible futures and paths are included within one another! It is a moment of pure possibility. What actually happens can't be predicted according to any known "laws" or theories.

Something re-shapes daily life.
Something out of the corner of our eye. A whiff. An inkling. A possible pattern never before seen. A sensation. A direction toward which gathering energies seem to move. It's something that we don't yet grasp, but we think that those who study media need to create new knowledge about it very soon. Media designers can make something of it right now.
Our ideas for flashpoints come from whiffs of a deep core changes at the roots of daily life.


Or, perhaps we just returned from an art exhibition. And we sensed it there.
Or heard an artist speak, and felt it arriving.


Or maybe reports of environmental change and stress, or of new green initiatives, combine with something we read by a media theorist about social networking.

credit: Gregg Segal

How, for example, its imprint seems to be showing up in popular culture. Music lyrics. Television shows. Product materials. Story forms.


Or how its potential is being tapped by entrepreneurs.


Or used as a means of control, influence, or democratic participation.

Or expressed through invention of new media devices, environments, or content.
Flashpoints are where we present these traces not as definitions. Nor as answers. We present them instead as inspirational data for our creative responses and for yours.


Maybe we don't yet have words or ideas to express what we sense or think about the gathering of forces that we've called "going remote." We can still respond to those forces. We can "make sense" of forces that are re-shaping "the remote" with color, sound, image, movement, patterns, story, montage, juxtaposition, association, metaphor, intensity. We can learn what we "think" about "the remote" by designing and making media. We can shape the unnamed mediascapes arriving at our doorsteps from the future.




Submit your projects for publication in GEN U (the EMS showcase of user-generated work).
Help us update flashpoints by posting your observations, documentations, and relevant links to the re-scan section of the EMS Blog.