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FLASHPOINT

DAILY LIFE

ART

ENVIRONMENT

CONSUMER CULTURE

BIZ/ECON

POLITICS

MEDIA/TECH

MAKE


 



flashpoint

 

FLASHPOINT: "a critical point at which something or someone suddenly creates some significant action."

 

With flashpoints, we reach beyond already emerging media forms and devices. We focus on forces--social trends, new technologies, economic shifts--that have the potential to ignite and become the next moving edge of massive social change. In ExtremeMediaStudies.org, each flashpoint is a place where we share our earliest senses of raw forces that we don't even know how to talk about yet. So instead of talking about them, we use our sensibilities as media artists and designers to give some sort of creative expression to what our antennae or feelers are telling us, but which doesn't yet have words. And we invite you to do the same.

 

leap

Regardless of where it begins, we track an as-yet-unnamed force as it passes, barely noticed, across:

 

daily life

art

environment

consumer culture

business and economics

politics and power relations

technologies of media

 

We try to glimpse its presence in each of these spaces of living and we offer traces of its influence there.

 

Flashpoints, then, give sharable form to forces that we sense are gathering on the horizon. These forces (such as patterns of information flow, convergences of technologies, intensities of change, new desires and fears) are immaterial. Yet they are powerful. They shape the mediascapes that encompass us. They compose emerging contexts that media designers and users cannot ignore. With flashpoints, we make these invisible forces visible and offer them as inspiration for our own creative responses.

 

At the flashpoint, "what its next state will be turns entirely unpredictable. . . the system . . . is in ferment. It has gone 'critical'" (Massumi, Parables for the Virtual, 2002, pp. 109-110). At the flashpoint, all possible futures and paths are included within one another! It is a moment of pure possibility. What actually happens can't be predicted according to any known "laws" or theories.




dailylife


arrows

 

DAILY LIFE

 

Something re-shapes daily life.

 

Something out of the corner of our eye. A whiff. An inkling. A possible pattern never before seen. A sensation. A direction toward which gathering energies seem to move. It's something that we don't yet grasp, but we think that those who study media need to create new knowledge about it very soon. Media designers can make something of it right now.

 

Our ideas for flashpoints come from whiffs of a deep core changes at the roots of daily life.

boxhome
credit: Dwell magazine

 
















art

 

 

ART

 

Or, perhaps we just returned from an art exhibition. And we sensed it there.

Or heard an artist speak, and felt it arriving.

art

credit: eteam

 


enviro

 

 

ENVIRONMENT

 

Or maybe reports of environmental change and stress, or of new green initiatives, combine with something we read by a media theorist about social networking.

plastic

credit: Gregg Segal


consumer_culture

 

 

CONSUMER CULTURE

 

How, for example, its imprint seems to be showing up in popular culture. Music lyrics. Television shows. Product materials. Story forms.


hotel

credit: Cooper-Hewitt National Design Museum

 



biz_econ

 

 

BUSINESS/ECONOMIES

 

Or how its potential is being tapped by entrepreneurs.

 

burnt

credit: TED

 



politics





 

 

POLITICS and POWER RELATIONS

 

Or used as a means of control, influence, or democratic participation.

 

clui

credit: CLUI


media

 

 

TECHNOLOGY / MEDIA

 

Or expressed through invention of new media devices, environments, or content.

Flashpoints are where we present these traces not as definitions. Nor as answers. We present them instead as inspirational data for our creative responses and for yours.

second life

credit: Second Life


projects

 

 

BE A FIRST RESPONDER

 

Maybe we don't yet have words or ideas to express what we sense or think about the gathering of forces that we've called "going remote." We can still respond to those forces. We can "make sense" of forces that are re-shaping "the remote" with color, sound, image, movement, patterns, story, montage, juxtaposition, association, metaphor, intensity. We can learn what we "think" about "the remote" by designing and making media. We can shape the unnamed mediascapes arriving at our doorsteps from the future.

 

nonono

 

 

 

 

 

 

 

 


real

 

 

 

 

 

 

Submit your projects for publication in GEN U (the EMS showcase of user-generated work).

 

Help us update flashpoints by posting your observations, documentations, and relevant links to the re-scan section of the EMS Blog.